ASHLEY MCBRYDE WITH BOY NAMED BANJO

Jun 30, 2023

Elmwood Park

Tickets: $41 In Advance, $47 Day Of, $800 VIP Table

Show time:7pm
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GRAMMY, CMA and ACM award winner Ashley McBryde cut her teeth playing country songs in rural biker bars – and it shows. The Grand Ole Opry member’s 2018 major label debut Girl Going Nowhere (Warner Music Nashville) charmed The New York Times, NPR, Rolling Stone, Paste, The Washington Post and more, all en route to landing a GRAMMY nomination for Best Country Album. McBryde closed out 2019 with ACM New Female Artist, CMT Breakout Artist, a New Artist of the Year win at the 53rd Annual CMA Awards and two nominations for the 2020 GRAMMYs for Best Country Song and Best Country Solo Performance for “Girl Goin’ Nowhere.” Her follow-up Never Will was tagged by Rolling Stone as one of the most anticipated of the year alongside NPR, who also ranked her Top 10 RIAA Platinum-Certified single “One Night Standards” as one of the best songs of 2019.

The album earned McBryde a 2021 GRAMMY nomination for Best Country Album, making Never Will the only album nominated for Country Album of the Year by the ACMs, CMAs and the Recording Academy in the same award season. Her GRAMMY-winning duet with Carly Pearce, “Never Wanted To Be That Girl,” went all the way to No. 1 and earned McBryde and Pearce the ACM and CMA award for Musical Event of the Year. McBryde was also honored with the 2022 CMA International Artist Achievement Award for the most significant creative growth, development and promotion of the country music industry outside of the United States.

The Arkansas-native invites listeners to Ashley McBryde Presents: Lindeville, a collaborative project featuring Brothers Osborne, Brandy Clark, Pillbox Patti, Caylee Hammack, Aaron Raitiere and more, earning McBryde her third consecutive GRAMMY nomination for Best Country Album, making her a six-time GRAMMY nominee. Upon its release on September 30, Ashley McBryde Presents: Lindeville garnered applause from The New York Times, NPR, Variety, Vulture, Esquire, Rolling Stone, Billboard and Stereogum, among many more. McBryde recently wrapped The Judds: The Final Tour with Wynonna and will join her collaborators and special guests for two sold-out nights at the Ryman Auditorium for Ashley McBryde Presents: Lindeville Live on February 15-16. McBryde is slated to play headlining shows, festivals and three dates with Eric Church on The Outsiders Revival Tour this spring and summer. For more information, visit AshleyMcBryde.com or follow her on Facebook, Instagram and Twitter @AshleyMcBryde and TikTok @AshleyMcBrydeMusic.

In a time when the popular choice is to chase the double yellow line down the road to country radio, Boy Named Banjo thrives on its fringes. The Nashville-raised five-piece is a fusion of contemporary country, Americana and folk-rock stacked on a foundation of bluegrass. “We’re trying to find our own niche within popular country music today,” says Sam McCullough (drums). “But not straight down the middle.” The band, which has been together in some iteration since members were in high school, is comprised of Barton Davies (banjo), Ford Garrard (bass/standing bass), Sam McCullough (drums) Willard Logan (mandolin, acoustic/electric guitar) and William Reames (acoustic guitar/harmonica).

Learn more about Boy Named Banjo - https://www.boynamedbanjo.com

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Berglund Performing Arts Theatre

SHOWTIME: 7:30 PM

TICKET PRICES: (Plus Taxes and Fees) 62.75, 82.75, 102.75, 132.76

 

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One of the most popular artists in modern country music, Vince Gill is famous for his top-notch songwriting, world-class guitar playing and warm, soaring tenor, all wrapped up in a quick and easy wit. Gill achieved his big breakthrough in 1990 with “When I Call Your Name,” which won both the Country Music Association’s (CMA) Single and Song of the Year awards as well as a Grammy for Best Country Vocal Performance, Male. In total, Gill has won 18 CMA Awards, 22 Grammy Awards, and 8 Academy of Country Music Awards and in 2025 was presented with the CMA Willie Nelson Lifetime Achievement Award.

In 1991, Gill was invited to become a member of the Grand Ole Opry and in 2007 was inducted into the Country Music Hall of Fame. In 2012 he was honored with a star on the Hollywood Walk of Fame. A gifted songwriter, Gill’s compositions earned him entry into the Nashville Songwriters Hall of Fame in 2005 and the prestigious BMI Icon award in 2014. Throughout his career, he has released 21 albums, sold over 30 million albums, and charted 45 singles. In 2022, Gill was inducted into the Musicians Hall of Fame. 

Always considering himself a musician above all else, Gill has over the years been a part of some iconic bands, including Pure Prairie League, The Notorious Cherry Bombs, and The Time Jumpers. In 2017, Gill was asked to join the Eagles on the road, and he continues to be a part of that historic band’s tour. 2025 marked the 50th anniversary of Gill leaving home to pursue a career in music. To honor that milestone, he signed a lifetime recording contract with his longstanding label MCA and is releasing an EP series of brand-new music every month for a year, titled 50 Years from Home.

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Berglund Performing Arts Theatre

SHOWTIME: 8 PM

 

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Six-time Grammy Award-winning singer/songwriter Jason Isbell is one of the most respected and celebrated artists of his generation. The North Alabama native possesses an incredible penchant for identifying and articulating some of the deepest, yet simplest, human emotions, and turning them into beautiful poetry through song. Isbell sings of the everyday human condition with thoughtful, heartfelt, and sometimes brutal honesty.


After releasing multiple critically-acclaimed albums, appearing in an Academy Award-nominated film, Killers of the Flower Moon, and touring the world with his band, the 400 Unit, Isbell began 2025 with a change of pace. A solo record. Simply Isbell and his voice and an acoustic guitar, an all-mahogany 1940 Martin 0-17. Recorded at Electric Lady Studios in NYC, ‘Foxes in the Snow’ further demonstrates his pure talent as a songwriter and musician. As Stereogum so aptly put it, "the barebones intimacy recenters the artist behind the persona and serves as a reminder that this guy can write a damn song."

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